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Framed and on the wall
Frame and rooms are illustrations of how the print could look; the description says what is included.
Antique Grape Varieties Botanical Print, Vitis Vinifera Study, c.1831
$630 (£480, €565)
Period original, not a reproduction.
Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.
- Date
- 1831
- Size
- 10.7 × 8.9 in (27.1 × 22.7 cm)
- Condition
- Good. Moderate age toning and light surface dirt. No structural damage.
- Period
- Early 19th century
- Section
- Botanical
- Reference
- f_48072772
- Colour
- Hand coloured
What the condition grades mean
- Excellent
- Bright and clean, with no faults worth mentioning.
- Very good
- Only light signs of age, such as faint toning.
- Good
- Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
- Fair
- Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
Antique Grape Varieties Botanical Print, Vitis Vinifera Study, Hand Colored
This comparative botanical engraving presents multiple varieties of Vitis vinifera, offering a more analytical view of grape morphology than single-specimen plates. Leaves and structural variations are carefully contrasted, reflecting the growing interest in classification, cultivation, and agricultural improvement during the early 19th century.
As part of Zenker’s Merkantilische Waarenkunde, the plate illustrates the scientific foundations underpinning viticulture as a commercial enterprise. Such images were essential reference tools for understanding crop diversity and quality at a time when wine production played a major role in European trade networks.
Original hand coloring lends clarity and depth to the individual forms without overwhelming the composition. The plate appeals especially to collectors, wine historians, and those with a scholarly interest in agricultural illustration.
Condition report:
Moderate age toning and light surface dirt. No structural damage.
Framing tips:
A neutral mat with a slightly wider margin emphasizes the comparative nature of the study. A darker wood frame adds gravitas.
Technique: Copper engraving with original hand coloring
Maker: Jonathan Carl Zenker, Germany, 1831–1832
