Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Antique Indigo & Madder Botanical Print, Indigofera & Rubia Tinctorum, c.1831

Close-ups

Antique Indigo & Madder Botanical Print, Indigofera & Rubia Tinctorum, c.1831, close-up 1Antique Indigo & Madder Botanical Print, Indigofera & Rubia Tinctorum, c.1831, close-up 2Antique Indigo & Madder Botanical Print, Indigofera & Rubia Tinctorum, c.1831, close-up 3Antique Indigo & Madder Botanical Print, Indigofera & Rubia Tinctorum, c.1831, close-up 4Antique Indigo & Madder Botanical Print, Indigofera & Rubia Tinctorum, c.1831, close-up 5Antique Indigo & Madder Botanical Print, Indigofera & Rubia Tinctorum, c.1831, close-up 6

Framed and on the wall

Antique Indigo & Madder Botanical Print, Indigofera & Rubia Tinctorum, c.1831, shown framedAntique Indigo & Madder Botanical Print, Indigofera & Rubia Tinctorum, c.1831, shown framed on a wallAntique Indigo & Madder Botanical Print, Indigofera & Rubia Tinctorum, c.1831, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Antique Indigo & Madder Botanical Print, Indigofera & Rubia Tinctorum, c.1831

$1,240 (£935, €1,100)

Period original, not a reproduction.

Enquire about this print

Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
1831
Size
10.7 × 8.9 in (27.1 × 22.7 cm)
Condition
Good. Moderate toning and scattered light spotting. Overall very attractive.
Period
Early 19th century
Section
Botanical
Reference
f_48099592

Antique Indigo & Madder Botanical Print, Indigofera & Rubia Tinctorum, c.1831

Description:

This complex botanical engraving depicts Indigofera tinctoria alongside Rubia Tinctorum (madder), two of the most important dye plants in global textile history. The plate includes foliage, flowers, roots, and sectional studies.

Published in Zenker’s Merkantilische Waarenkunde, the image documents the botanical foundations of blue and red dye production, essential to European and colonial textile industries.

Original hand coloring is well balanced, with soft greens and warm reds creating visual interest across the composition.

Condition report:

Moderate toning and scattered light spotting. Overall very attractive.

Framing tips:

An ivory mat with a darker frame highlights the complexity of the composition.

Technique: Copper engraving with original hand coloring

Maker: Jonathan Carl Zenker, Germany, 1831–1832