Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Antique Liquorice Botanical Print, Glycyrrhiza Glabra & Echinata, c.1831

Close-ups

Antique Liquorice Botanical Print, Glycyrrhiza Glabra & Echinata, c.1831, close-up 1Antique Liquorice Botanical Print, Glycyrrhiza Glabra & Echinata, c.1831, close-up 2Antique Liquorice Botanical Print, Glycyrrhiza Glabra & Echinata, c.1831, close-up 3Antique Liquorice Botanical Print, Glycyrrhiza Glabra & Echinata, c.1831, close-up 4Antique Liquorice Botanical Print, Glycyrrhiza Glabra & Echinata, c.1831, close-up 5Antique Liquorice Botanical Print, Glycyrrhiza Glabra & Echinata, c.1831, close-up 6

Framed and on the wall

Antique Liquorice Botanical Print, Glycyrrhiza Glabra & Echinata, c.1831, shown framedAntique Liquorice Botanical Print, Glycyrrhiza Glabra & Echinata, c.1831, shown framed on a wall

Frame and rooms are illustrations of how the print could look; the description says what is included.

Antique Liquorice Botanical Print, Glycyrrhiza Glabra & Echinata, c.1831

€830 ($930, £705, €830)

Period original, not a reproduction.

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Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
1831
Size
10.7 × 8.9 in (27.1 × 22.7 cm)
Condition
Good. Moderate toning with light foxing, typical for the series.
Period
Early 19th century
Section
Botanical
Reference
f_48099582

Antique Liquorice Botanical Print, Glycyrrhiza Glabra & Echinata, c.1831

Description:

This detailed botanical engraving illustrates two liquorice species, Glycyrrhiza glabra and Glycyrrhiza echinata, including foliage, flowers, and root structures. Liquorice was widely used in medicine, confectionery, and brewing.

Issued in Zenker’s Merkantilische Waarenkunde, the plate reflects the importance of medicinal roots within early commercial botany. The comparative composition adds both scientific and decorative interest.

Original hand coloring is subtle and harmonious, lending clarity to the fine botanical detail.

Condition report:

Moderate toning with light foxing, typical for the series.

Framing tips:

A neutral linen mat with a medium-toned wood frame suits the analytical layout.

Technique: Copper engraving with original hand coloring

Maker: Jonathan Carl Zenker, Germany, 1831–1832