Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Antique Grape Varieties Botanical Print, Vitis Vinifera Study, c.1831
Antique Grape Varieties Botanical Print, Vitis Vinifera Study, c.1831, view 2

Close-ups

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Framed and on the wall

Antique Grape Varieties Botanical Print, Vitis Vinifera Study, c.1831, shown framedAntique Grape Varieties Botanical Print, Vitis Vinifera Study, c.1831, shown framed on a wallAntique Grape Varieties Botanical Print, Vitis Vinifera Study, c.1831, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Antique Grape Varieties Botanical Print, Vitis Vinifera Study, c.1831

£480 ($630, €565)

Period original, not a reproduction.

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Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
1831
Size
10.7 × 8.9 in (27.1 × 22.7 cm)
Condition
Good. Moderate age toning and light surface dirt. No structural damage.
Period
Early 19th century
Section
Botanical
Reference
f_48072772

Antique Grape Varieties Botanical Print, Vitis Vinifera Study, Hand Colored

This comparative botanical engraving presents multiple varieties of Vitis vinifera, offering a more analytical view of grape morphology than single-specimen plates. Leaves and structural variations are carefully contrasted, reflecting the growing interest in classification, cultivation, and agricultural improvement during the early 19th century.

As part of Zenker’s Merkantilische Waarenkunde, the plate illustrates the scientific foundations underpinning viticulture as a commercial enterprise. Such images were essential reference tools for understanding crop diversity and quality at a time when wine production played a major role in European trade networks.

Original hand coloring lends clarity and depth to the individual forms without overwhelming the composition. The plate appeals especially to collectors, wine historians, and those with a scholarly interest in agricultural illustration.

Condition report:

Moderate age toning and light surface dirt. No structural damage.

Framing tips:

A neutral mat with a slightly wider margin emphasizes the comparative nature of the study. A darker wood frame adds gravitas.

Technique: Copper engraving with original hand coloring

Maker: Jonathan Carl Zenker, Germany, 1831–1832