Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Moth Metamorphosis Dedicated to Earl of Cardigan, 1724

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Moth Metamorphosis Dedicated to Earl of Cardigan, 1724, close-up 1Moth Metamorphosis Dedicated to Earl of Cardigan, 1724, close-up 2Moth Metamorphosis Dedicated to Earl of Cardigan, 1724, close-up 3Moth Metamorphosis Dedicated to Earl of Cardigan, 1724, close-up 4Moth Metamorphosis Dedicated to Earl of Cardigan, 1724, close-up 5Moth Metamorphosis Dedicated to Earl of Cardigan, 1724, close-up 6

Framed and on the wall

Moth Metamorphosis Dedicated to Earl of Cardigan, 1724, shown framedMoth Metamorphosis Dedicated to Earl of Cardigan, 1724, shown framed on a wallMoth Metamorphosis Dedicated to Earl of Cardigan, 1724, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Moth Metamorphosis Dedicated to Earl of Cardigan, 1724

£220 ($290, €260)

Period original, not a reproduction.

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Date
1724
Size
11.3 × 8.9 in (28.6 × 22.5 cm)
Condition
Good. Good. Due to age, the paper has a light brownish hue over it. Soiling around the edges. Original hand-coloring. Study the images carefully.
Period
18th century
Section
Insects and butterflies
Reference
f_38220402

This illustration is from Eleazar Albin's work, as indicated by the signature "E. Albin del.", meaning "drawn by Eleazar Albin". It is a plate from his series on natural history, specifically focusing on the life cycle of a moth species.

At the bottom, the dedication reads: "To the Right Honorable George Earl of Cardigan this plate is humbly Dedicated by Eleazar Albin."

The image depicts three stages of a moth's life cycle: the caterpillar (labeled 'a'), the chrysalis or pupa (labeled 'b'), and the adult moth in two different positions or possibly two different individuals (labeled 'c' and 'd'). The illustration is detailed and colored, following Albin's method of accurately depicting the life stages of insects from life observations.

The dedication to George Earl of Cardigan suggests that this work was also supported by the patronage of nobility. Such dedications were common in Albin's time, serving both as a mark of respect and a means of securing financial support for scientific publications.

The roman numeral "XXXV" at the top right corner likely indicates that this is plate number 35 in a series, which was a typical way of ordering illustrations in natural history volumes of that period.