Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Antique Turmeric Botanical Print, Curcuma Longa, Hand Colored, c.1831
Antique Turmeric Botanical Print, Curcuma Longa, Hand Colored, c.1831, view 2

Close-ups

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Framed and on the wall

Antique Turmeric Botanical Print, Curcuma Longa, Hand Colored, c.1831, shown framedAntique Turmeric Botanical Print, Curcuma Longa, Hand Colored, c.1831, shown framed on a wallAntique Turmeric Botanical Print, Curcuma Longa, Hand Colored, c.1831, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Antique Turmeric Botanical Print, Curcuma Longa, Hand Colored, c.1831

$925 (£700, €825)

Period original, not a reproduction.

Enquire about this print

Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
1831
Size
10.7 × 8.9 in (27.1 × 22.7 cm)
Condition
Good. Moderate age-related toning and light surface marks. No losses or tears.
Period
Early 19th century
Section
Botanical
Reference
f_48077312

Antique Turmeric Botanical Print, Curcuma Longa, Hand Colored, c.1831

Description:

This vibrant botanical engraving depicts Curcuma Longa, the turmeric plant, including its distinctive rhizomes. Turmeric was valued both as a culinary spice and for its medicinal properties, making it an important commodity in Asian and global trade.

The plate comes from Zenker’s Merkantilische Waarenkunde and illustrates the intersection of botany, medicine, and commerce. The emphasis on the underground root structure highlights the practical knowledge required for harvesting and processing the spice.

Original hand coloring brings warmth and visual impact to the image, with rich yellow-orange tones contrasting against the green foliage. This plate performs especially well in contemporary interiors due to its strong color and modern relevance.

Condition report:

Moderate age-related toning and light surface marks. No losses or tears.

Framing tips:

A neutral cream mat paired with a dark wood or black frame intensifies the color contrast and visual strength.

Technique: Copper engraving with original hand coloring

Maker: Jonathan Carl Zenker, Germany, 1831–1832