Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831
Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, view 2

Close-ups

Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, close-up 1Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, close-up 2Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, close-up 3Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, close-up 4Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, close-up 5

Framed and on the wall

Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, shown framedAntique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, shown framed on a wallAntique Mahogany Botanical Print, Swietenia Mahagoni, c.1831, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831

$890 (£670, €790)

Period original, not a reproduction.

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Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
1831
Size
10.7 × 8.9 in (27.1 × 22.7 cm)
Condition
Good. Moderate toning with light discoloration consistent with age. Image remains clear and intact.
Period
Early 19th century
Section
Botanical
Reference
f_48074382

Antique Mahogany Botanical Print, Swietenia Mahagoni, c.1831

Description:

This finely detailed botanical engraving illustrates Swietenia Mahagoni, the mahogany tree, including its distinctive fruit and seed structures. Mahogany was among the most prized timbers of the 18th and 19th centuries, valued for furniture, shipbuilding, and architectural use.

The plate comes from Zenker’s Merkantilische Waarenkunde, where it represents plants of material and economic importance rather than purely ornamental interest. The emphasis on structure and usable material reflects the practical concerns of merchants, craftsmen, and manufacturers of the period.

Original hand coloring supports the clarity of the engraving without excessive ornament, resulting in a dignified and architectural image. This plate appeals particularly to interior designers, furniture historians, and collectors interested in material culture.

Condition report:

Moderate toning with light discoloration consistent with age. Image remains clear and intact.

Framing tips:

A natural linen mat and a walnut or dark oak frame complement the subject’s association with fine woodwork.

Technique: Copper engraving with original hand coloring

Maker: Jonathan Carl Zenker, Germany, 1831–1832