Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Antique Lichen Botanical Print, Dye & Chemical Species, c.1831
Antique Lichen Botanical Print, Dye & Chemical Species, c.1831, view 2

Close-ups

Antique Lichen Botanical Print, Dye & Chemical Species, c.1831, close-up 1Antique Lichen Botanical Print, Dye & Chemical Species, c.1831, close-up 2Antique Lichen Botanical Print, Dye & Chemical Species, c.1831, close-up 3Antique Lichen Botanical Print, Dye & Chemical Species, c.1831, close-up 4Antique Lichen Botanical Print, Dye & Chemical Species, c.1831, close-up 5

Framed and on the wall

Antique Lichen Botanical Print, Dye & Chemical Species, c.1831, shown framedAntique Lichen Botanical Print, Dye & Chemical Species, c.1831, shown framed on a wallAntique Lichen Botanical Print, Dye & Chemical Species, c.1831, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Antique Lichen Botanical Print, Dye & Chemical Species, c.1831

$550 (£415, €490)

Period original, not a reproduction.

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Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
1831
Size
10.7 × 8.9 in (27.1 × 22.7 cm)
Condition
Good. Moderate toning and surface marks consistent with age. Image remains clear and intact.
Period
Early 19th century
Section
Botanical
Reference
f_48074412

Antique Logwood Botanical Print, Haematoxylon Campechianum, c.1831

This distinctive botanical engraving depicts Haematoxylon Campechianum, commonly known as logwood, a tree valued for its use in producing red and purple dyes. Logwood played a crucial role in the textile and dye industries of the 18th and early 19th centuries, particularly in Europe and the Americas.

The plate originates from Zenker’s Merkantilische Waarenkunde and exemplifies the work’s focus on plants of industrial and commercial importance. The depiction emphasizes the structure of the tree and its material properties rather than floral display, giving the image a sober, utilitarian character.

Original hand coloring is applied sparingly, reinforcing the seriousness of the subject. This plate appeals strongly to collectors interested in textile history, material culture, and early industrial processes.

Condition report:

Moderate toning and surface marks consistent with age. Image remains clear and intact.

Framing tips:

A natural linen or light taupe mat paired with a dark wood frame suits the industrial nature of the subject.

Technique: Copper engraving with original hand coloring

Maker: Jonathan Carl Zenker, Germany, 1831–1832