Close-ups
Framed and on the wall
Frame and rooms are illustrations of how the print could look; the description says what is included.
19th Century Sheepshead Seabream and Squirrelfish Antique Fish Print, 1845
$235 (£180, €210)
Period original, not a reproduction.
Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.
- Date
- 1845
- Size
- 10.4 × 6.7 in (26.5 × 17 cm)
- Condition
- Very good. Age-related toning and/or occasional minor defects from handling. Very light offsetting of text from an opposite page. Please study scan carefully.
- Period
- Early 19th century
- Section
- Fish and shells
- Reference
- f_37543892
An attractive antique hand-colored print by Pierre Auguste Joseph Drapiez, depicting marine species.
The English names for the species mentioned are as follows:
1. Pristipoma piqué: Commonly known as the "Sheepshead seabream."
2. Holocentrus soho: Commonly known as the "Squirrelfish."
These names are used to identify these particular species of fish in English.
The hand-colored print by Drapiez depicts these marine species in detail, capturing their unique characteristics and features.
More info on the book in which it was published:
The 'Dictionnaire Classique des Sciences Naturelles' by Pierre Auguste Joseph Drapiez stands as a remarkable testament to 19th-century natural sciences. Published in Brussels in 1845, this work represents an expansive collation of knowledge, building upon the pioneering works of Buffon, Daubenton, Lacepede, Cuvier, de Jussieu, and other influential naturalists.
The prints within this compendium likely showcase a rich amalgamation of artistic precision and scientific accuracy. Drapiez, himself a Belgian naturalist, would have aimed for detailed representations of flora, fauna, and scientific phenomena, mirroring the illustrative styles prevalent during his time. Given the era's emphasis on illustration, these prints were likely engraved meticulously, possibly portraying intricate anatomical details or lifelike depictions of the natural world.
With Drapiez's background in natural history, the prints might bear testament to his commitment to scientific authenticity, aiming to educate and inspire scholars and enthusiasts alike. These engravings would have complemented the text, offering visual aids that elucidate the concepts and specimens discussed in the volume.
Overall, the prints of 'Dictionnaire Classique des Sciences Naturelles' likely serve as both artistic representations and invaluable scientific resources, encapsulating the essence of 19th-century natural history exploration and documentation.
