Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Stunning Bromeliads: Queen's Tears and Flaming Torch in Artful Display, c.1855
Stunning Bromeliads: Queen's Tears and Flaming Torch in Artful Display, c.1855, view 2
Stunning Bromeliads: Queen's Tears and Flaming Torch in Artful Display, c.1855, view 3

Close-ups

Stunning Bromeliads: Queen's Tears and Flaming Torch in Artful Display, c.1855, close-up 1Stunning Bromeliads: Queen's Tears and Flaming Torch in Artful Display, c.1855, close-up 2Stunning Bromeliads: Queen's Tears and Flaming Torch in Artful Display, c.1855, close-up 3Stunning Bromeliads: Queen's Tears and Flaming Torch in Artful Display, c.1855, close-up 4

Framed and on the wall

Stunning Bromeliads: Queen's Tears and Flaming Torch in Artful Display, c.1855, shown framedStunning Bromeliads: Queen's Tears and Flaming Torch in Artful Display, c.1855, shown framed on a wallStunning Bromeliads: Queen's Tears and Flaming Torch in Artful Display, c.1855, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Stunning Bromeliads: Queen's Tears and Flaming Torch in Artful Display, c.1855

$270 (£205, €240)

Period original, not a reproduction.

Enquire about this print

Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
1855
Size
9.8 × 6.3 in (25 × 16 cm)
Condition
Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
Period
Late 19th century
Section
Botanical
Reference
f_41424652
Colour
Printed colour
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.

Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.

The prints are from "Revue Horticole," a prominent horticultural periodical known for its high-quality botanical illustrations, which served both educational and ornamental purposes. The illustrations were executed by the noted chromolithographer, P. de Pannemaeker or Severeyns, who were both key figures in the production of botanical art during the 19th century, often working for Belgian publications.

Details about the Maker, Publisher, and Publication:

- Maker: The chromolithographs were likely produced by P. de Pannemaeker or Severeyns, renowned for their expertise in chromolithography, a technique widely used in the 19th century for reproducing color in prints.

- Publisher: The publisher, "Revue Horticole," was a French journal that focused on the horticultural industry and botanical sciences, regularly featuring detailed botanical plates.

- Publication Date: These prints are from an unspecified volume but "Revue Horticole" was published in the 19th century, particularly thriving during the mid to late 1800s.

Plant Identification and Significance:

1. First Print:

- Botanical Name: Billbergia × 'Breuteliana'

- Common English Name: Queen's Tears

- Special Attributes: Known for its drooping clusters of green, blue, and pink flowers, Queen's Tears is a bromeliad that's both aesthetically pleasing and easy to care for. It gets its name from the tear-like droplets that sometimes appear on the flower petals.

2. Second Print:

- Botanical Name: Billbergia thyrsoides 'Fastuosa'

- Common English Name: Flaming Torch

- Special Attributes: This plant is admired for its upright, bright red floral bracts and striking blue flowers, earning its name from the torch-like appearance of its bloom. It's particularly noted for its ornamental use in subtropical and tropical gardens.

Special Significance:

These plants are especially notable for their unique inflorescences and vibrant colors, which make them popular in ornamental horticulture. Their resilience and low maintenance needs make them suitable for indoor cultivation, appealing to both amateur and professional gardeners.

Technique Used:

The technique used for these prints is chromolithography, a method for making multi-color prints. This process involves using multiple lithographic stones, each inked with a different color and carefully aligned to produce the final image. Chromolithography was celebrated for its ability to produce vibrant, detailed, and accurate representations of original artworks, making it particularly suited for detailed botanical illustrations like those in "Revue Horticole."

These factors combine to make the prints not only a beautiful artistic addition but also a valuable educational tool for those interested in botany and horticulture.

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