Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Baron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727
Baron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727, view 2

Close-ups

Baron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727, close-up 1Baron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727, close-up 2Baron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727, close-up 3Baron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727, close-up 4Baron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727, close-up 5Baron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727, close-up 6

Framed and on the wall

Baron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727, shown framedBaron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727, shown framed on a wallBaron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Baron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727

$425 (£320, €380)

Period original, not a reproduction.

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Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
1727
Size
10.2 × 15.6 in (26 × 39.5 cm)
Condition
Good. Good overall condition with age-related toning and minor wear to the sheet edges. Fine impression with visible plate mark. Later hand-coloring in excellent decorative condition.
Period
18th century
Section
Mammals
Reference
f_50245042

Baron Eisenberg Arabian Horse, “L’Arabe” Equestrian Engraving, 1727

This elegant early-18th century equestrian engraving titled L’Arabe depicts a noble Arabian horse standing in an idealized desert-inspired landscape. The composition originates from the celebrated work Description du Manège Moderne by Friedrich Wilhelm Baron von Eisenberg, one of the most important illustrated horse manuals of the eighteenth century. The engraving combines scientific observation, aristocratic taste, and refined draftsmanship, reflecting the growing European fascination with Arabian horses and classical horsemanship during the Baroque period.

Baron von Eisenberg, an aristocratic horseman and riding master active across Europe, produced some of the most sophisticated equestrian engravings of his era. Though German by birth, he worked extensively in France and England and dedicated his influential publication to the courtly riding traditions associated with Louis XIV. Published in 1727, Description du Manège Moderne became one of the landmark illustrated equestrian books of the eighteenth century and attracted subscriptions from hundreds of European aristocrats.

The Arabian horse was admired throughout Europe for its intelligence, elegance, endurance, and refined proportions. In this engraving, Eisenberg presents the animal almost as an equine portrait, emphasizing the graceful neck, slender limbs, elevated stance, and calm temperament associated with the prized Arabian breed. The sparse mountainous landscape reinforces the exotic appeal of the subject while allowing full attention to remain on the horse itself.

The engraving is finely executed in copperplate with delicate line work and subtle tonal modeling. The later hand-coloring has been tastefully applied in soft natural tones that enhance the print’s decorative quality while preserving its classical appearance. The clean composition and restrained palette make the work exceptionally versatile for both traditional and contemporary interiors.

Original Eisenberg engravings are highly sought after by collectors of sporting art, equestrian history, Arabian horse imagery, and eighteenth-century decorative prints. This example displays particularly well due to its elegant simplicity and strong visual balance.

This is an original 18th-century copperplate engraving from Description du Manège Moderne, published in 1727. It is not a modern reproduction. Any framed images shown are for presentation purposes only. The print is supplied unframed.

Condition: Good overall condition with age-related toning and minor wear to the sheet edges. Fine impression with visible plate mark. Later hand-coloring in excellent decorative condition.

Displays exceptionally well in dark walnut, ebonized, or lightly gilt frames paired with wide ivory or parchment-toned mats. Particularly suitable for equestrian interiors, libraries, country houses, or refined contemporary spaces.

Technique: Copperplate engraving with later hand-coloring

Maker: Friedrich Wilhelm Baron von Eisenberg, Europe, 1727