Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
White Stork, Antique Bird Print after Lilian Medland, circa 1909
White Stork, Antique Bird Print after Lilian Medland, circa 1909, view 2

Close-ups

White Stork, Antique Bird Print after Lilian Medland, circa 1909, close-up 1White Stork, Antique Bird Print after Lilian Medland, circa 1909, close-up 2White Stork, Antique Bird Print after Lilian Medland, circa 1909, close-up 3

Framed and on the wall

White Stork, Antique Bird Print after Lilian Medland, circa 1909, shown framedWhite Stork, Antique Bird Print after Lilian Medland, circa 1909, shown framed on a wallWhite Stork, Antique Bird Print after Lilian Medland, circa 1909, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

White Stork, Antique Bird Print after Lilian Medland, circa 1909

$325 (£245, €290)

Period original, not a reproduction.

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Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
circa 1909
Colouring
Uncoloured
Condition
Good. Light wear to the bottom left corner. Light age toning; light handling soiling along the edges and a few small spots in the margins. Printed image clean.
Period
20th century
Section
Birds
Reference
BG-14331-3-32

This antique bird print shows a white stork standing on one leg on a block of stone, the body white with the whole wing black, the long bill laid against the breast and the bare leg and foot drawn with unusual care. It is plate CLVI of Charles Stonham's The Birds of the British Islands, drawn by Lilian M. Medland and printed in monochrome, and it carries the plate number and the artist's signature in the lower margin together with the fraction giving the scale at which the bird is reproduced.

The plate comes from The Birds of the British Islands by Charles Stonham, issued in five volumes in London by E. Grant Richards between 1906 and 1911 with three hundred and eighteen plates. Every figure was drawn by Lilian Marguerite Medland, one of the small number of women who made a living as a bird artist in Britain at the turn of the century, and her monogram appears on the sheet. Medland worked from skins and from living birds, and the plates are notable for the quiet accuracy of their posture and for the soft modelling of plumage that a monochrome process could carry. She later emigrated to Australia, where she illustrated the standard works on that country's birds, and her British plates have been sought after ever since.

Stonham's plates are printed in monochrome rather than colour, and that is the point of them. Freed from the flat washes of a hand coloured bird book, Medland could model a bird in tone alone, and the result reads more like a drawing than a coloured plate. A single sheet hangs extremely well in a plain frame with a generous mount, and a run of three or four from the same volume makes one of the most satisfying groups in natural history printing, quiet enough for a hallway, a study or a dining room and entirely at home beside photographs.

Light wear to the bottom left corner. Light age toning; light handling soiling along the edges and a few small spots in the margins. Printed image clean.

This is an original antique print, not a modern reproduction. This item is sold unframed. Any framed or interior images are shown for presentation and inspiration only, unless the listing explicitly states that the item is sold framed.