Close-ups
Framed and on the wall
Frame and rooms are illustrations of how the print could look; the description says what is included.
White Openbill Stork of the Indies, Antique Sonnerat Engraving, 1806
$210 (£160, €190)
Period original, not a reproduction.
Shipped from the Netherlands, flat or rolled, insured and tracked, worldwide. Returns accepted within 14 days.
- Date
- 1806
- Size
- 11.2 × 8.3 in (28.5 × 21 cm)
- Technique
- Copper Engraving
- Coloring
- Uncolored
- Condition
- Good. Noticeable uneven toning. Marked handling soiling along all four edges. Scattered light foxing in the margin. All four corners complete.
- Period
- Early 19th century
- Section
- Birds
- Reference
- BG-13429-120
What the condition grades mean
- Excellent
- Bright and clean, with no faults worth mentioning.
- Very good
- Only light signs of age, such as faint toning.
- Good
- Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
- Fair
- Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
An original antique plate from Sonnerat's Voyage aux Indes Orientales et a la Chine, numbered 122, showing the white openbill stork of the Indies standing on long legs, the curious gap between the two halves of the bill clearly shown. Beneath the image the sheet is lettered Bec-ouvèrt blanc des Indes., with P. Sonnerat pinx. at the lower left and J. J. Avril sculp. at the lower right, and the plate number 122 at the upper right.
This plate belongs to the Collection de planches pour servir au Voyage aux Indes Orientales et a la Chine, published in Paris by Dentu in 1806. It is the plate volume that accompanies Sonnerat's account of the years he spent in India, China, Malacca, Madagascar and the islands of the Indian Ocean as a naturalist and naval commissary in the service of France. The image is a copper engraving, printed in black on laid paper with a clear plate mark, the lettering cut below the image in the same plate. No color was applied, which is how the volume was issued.
The bird plates run for nearly thirty sheets through the middle of the volume and cover the Coromandel and Malabar coasts, Gingi and Pondicherry, Malacca, China, Madagascar and the Cape. Each bird is drawn at the full height of the plate against a plain ground, usually on a branch or a rock, with the plumage worked up line by line in the engraving. What Sonnerat produced was not a studio compilation. He was in India for seven years, based at Yanam and at Pondicherry, and he went on to Canton, to Malacca, to Madagascar and to the Cape of Good Hope. The drawings he brought back were engraved in Paris by Jean-Baptiste Marie Poisson, Jean-Jacques Avril, Desmoulins, Fessart and Milsan, among the better reproductive engravers working in the city at the end of the eighteenth century.
Noticeable uneven toning. Marked handling soiling along all four edges. Scattered light foxing in the margin. All four corners complete.
This is an original antique print, not a modern reproduction. This item is sold unframed.
