Close-ups
Framed and on the wall
Frame and rooms are illustrations of how the print could look; the description says what is included.
Original Hand-Colored Print of a Boatbill, Hammerhead and a Pink Spoonbill Bird
£150 ($200, €180)
Period original, not a reproduction.
Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.
- Date
- Not stated
- Size
- 10.4 × 6.7 in (26.5 × 17 cm)
- Condition
- Good, given age. . General age-related toning and/or occasional minor defects from handling. Small top right corner is missing, but the print is ideal for framing. Please study scan carefully.
- Section
- Birds
- Reference
- f_37299692
1. CANCROMA COCHLEARIA, SAVACOU COCHLEARIA, 2. SCOPUS UMBRETTA, OMBRETTO DU SENEGAL, 3. PLATALEA AJAJA, SPATULE ROSE.
The antique print showcases three vividly depicted bird species: the Canchroma Cochlearia and Savacou Cochlearia (likely representing spoonbills), the Scopus Umbretta (a depiction of the Hamerkop or Umbrette), and the Platalea Ajaja (capturing the vibrant Roseate Spoonbill). Each bird is intricately detailed, capturing their distinct features. This print serves as a captivating visual portrayal, encapsulating the allure and diversity of avian life in a concise and elegant composition.
More info on the book in which it was published:
The 'Dictionnaire Classique des Sciences Naturelles' by Pierre Auguste Joseph Drapiez stands as a remarkable testament to 19th-century natural sciences. Published in Brussels in 1845, this work represents an expansive collation of knowledge, building upon the pioneering works of Buffon, Daubenton, Lacepede, Cuvier, de Jussieu, and other influential naturalists.
The prints within this compendium likely showcase a rich amalgamation of artistic precision and scientific accuracy. Drapiez, himself a Belgian naturalist, would have aimed for detailed representations of flora, fauna, and scientific phenomena, mirroring the illustrative styles prevalent during his time. Given the era's emphasis on illustration, these prints were likely engraved meticulously, possibly portraying intricate anatomical details or lifelike depictions of the natural world.
With Drapiez's background in natural history, the prints might bear testament to his commitment to scientific authenticity, aiming to educate and inspire scholars and enthusiasts alike. These engravings would have complemented the text, offering visual aids that elucidate the concepts and specimens discussed in the volume.
Overall, the prints of 'Dictionnaire Classique des Sciences Naturelles' likely serve as both artistic representations and invaluable scientific resources, encapsulating the essence of 19th-century natural history exploration and documentation.
