Close-ups
Framed and on the wall
Frame and rooms are illustrations of how the print could look; the description says what is included.
Original Bird Print of The Vulture, An Eagle Falcon and an Owl
£155 ($205, €180)
Period original, not a reproduction.
Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.
- Date
- Not stated
- Size
- 10.4 × 6.7 in (26.5 × 17 cm)
- Condition
- Good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
- Section
- Birds
- Reference
- f_37382582
This exquisite hand-colored antique print presents a captivating trio of avian wonders: the Vulture, the Eagle Falcon, and the Owl. Each bird is meticulously depicted with vibrant colors and intricate details, creating a stunning tableau of diverse avian species.
The Vulture showcases its distinct features. Its depiction captures the majesty and grace of this large bird of prey, known for its role in nature's clean-up crew.
Next, the Eagle Falcon takes center stage with its commanding presence. Rendered with striking hues and sharp details, this formidable predator is a skilled hunter of the skies.
Completing the trio, the Owl, exudes an air of mystery and elegance. Its finely detailed feathers and piercing gaze capture the essence of this enigmatic bird known for its nocturnal activities and silent flight.
With meticulous hand-colored detailing and artistic precision, this antique print offers a captivating portrayal of these three diverse avian species. The artwork not only celebrates their individual characteristics and unique beauty but also invites viewers to appreciate the fascinating world of avian diversity and natural wonder.
Engraving with original hand colouring, heightened with arabic gum on wove (vellin) paper.
More info on the book in which it was published:
The 'Dictionnaire Classique des Sciences Naturelles' by Pierre Auguste Joseph Drapiez stands as a remarkable testament to 19th-century natural sciences. Published in Brussels in 1845, this work represents an expansive collation of knowledge, building upon the pioneering works of Buffon, Daubenton, Lacepede, Cuvier, de Jussieu, and other influential naturalists.
The prints within this compendium likely showcase a rich amalgamation of artistic precision and scientific accuracy. Drapiez, himself a Belgian naturalist, would have aimed for detailed representations of flora, fauna, and scientific phenomena, mirroring the illustrative styles prevalent during his time. Given the era's emphasis on illustration, these prints were likely engraved meticulously, possibly portraying intricate anatomical details or lifelike depictions of the natural world.
With Drapiez's background in natural history, the prints might bear testament to his commitment to scientific authenticity, aiming to educate and inspire scholars and enthusiasts alike. These engravings would have complemented the text, offering visual aids that elucidate the concepts and specimens discussed in the volume.
Overall, the prints of 'Dictionnaire Classique des Sciences Naturelles' likely serve as both artistic representations and invaluable scientific resources, encapsulating the essence of 19th-century natural history exploration and documentation.
