Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Napoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving, 1843
Napoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving, 1843, view 2

Close-ups

Napoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving, 1843, close-up 1Napoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving, 1843, close-up 2Napoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving, 1843, close-up 3Napoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving, 1843, close-up 4Napoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving, 1843, close-up 5Napoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving, 1843, close-up 6

Framed and on the wall

Napoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving, 1843, shown framedNapoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving, 1843, shown framed on a wallNapoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving, 1843, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Napoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving, 1843

£145 ($190, €170)

Period original, not a reproduction.

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Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
1843
Size
10 × 6.3 in (25.3 × 16 cm)
Condition
Fair. Paper in fair to good overall condition with light age toning. Some scattered foxing and minor surface spotting, most visible in the margins. A faint tide mark along the lower edge, not affecting the image area. Margins ample.
Period
Early 19th century
Section
Birds
Reference
f_47987912

Napoleon Bonaparte, Imperial Eagle and World Allegory, French Engraving

This powerful 19th-century allegorical print centers on Napoleon Bonaparte as a global and imperial force, expressed through rich symbolic imagery rather than portraiture. At the heart of the composition stands the imperial eagle, wings outspread, poised atop a globe bearing the name “NAPOLEON” across Europe. The eagle, a direct reference to Roman imperial power and adopted by Napoleon as his emblem, conveys authority, dominion, and military sovereignty.

The globe beneath the eagle prominently highlights France and neighboring regions, visually reinforcing the idea of Napoleonic influence extending across the European continent. Below, laurel and oak branches, classical symbols of victory, strength, and endurance, are tied with a ribbon, further underscoring themes of triumph and legitimacy. Surrounding the central image is an elaborate ornamental frame, richly decorated with interlacing motifs and repeated “N” medallions, unmistakably referring to Napoleon himself. The overall design reflects the historicist and neo-medieval decorative language that became popular in France during the mid-19th century, particularly in works celebrating national history and heroic figures.

This print originates from the illustrated publication *Histoire de l’Empereur Napoléon* by P.-M. Laurent de l’Ardèche, published in Paris in 1843. The book sought to cement Napoleon’s legacy for a new generation, combining historical narrative with striking visual symbolism. Rather than documenting a specific event, this image functions as a visual manifesto of Napoleonic power, ideology, and myth-making, making it especially appealing to collectors of Napoleonic memorabilia, French imperial history, and symbolic historical prints.

Condition report:

Paper in good overall condition with light age toning. Some scattered foxing and minor surface spotting, most visible in the margins. A faint tide mark along the lower edge, not affecting the image area. Margins ample. Image strong and well-preserved.

Framing tips:

This print benefits from a refined, classic presentation. A dark walnut, mahogany, or black frame paired with a wide cream or warm ivory mat will emphasize the intricate border and central allegory. Museum glass is recommended to protect the paper and preserve contrast.

Technique: Engraving

Maker: French school, Paris, 1843