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Framed and on the wall
Frame and rooms are illustrations of how the print could look; the description says what is included.
Mallard Drake by a Reed Bed, Plate CLXIX after Lilian Medland, c. 1909
£230 ($305, €270)
Period original, not a reproduction.
Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.
- Date
- circa 1909
- Technique
- Photogravure
- Coloring
- Uncolored
- Condition
- Good. Light age toning; light handling soiling along the edges and a few small spots in the margins. Printed image clean.
- Period
- 20th century
- Section
- Birds
- Reference
- BG-14331-3-45
What the condition grades mean
- Excellent
- Bright and clean, with no faults worth mentioning.
- Very good
- Only light signs of age, such as faint toning.
- Good
- Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
- Fair
- Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
This is an original antique bird print, a photogravure printed in black and gray, uncolored. It shows a Mallard drake standing on one leg on the bare ground before a clump of reeds, facing left. The dark glossy head is separated from the scalloped breast by a narrow white collar, the bill is pale, and the folded wing shows the speculum bordered by white bars. At the stern the black upturned central tail feathers, the drake's curl, are clearly drawn above the paler outer tail.
The sheet is lettered "PLATE CLXIX" in italic capitals at lower right. Below the image is the note "1/2 scale", meaning the bird is drawn at half its natural size. The artist's signature "L. M. Medland" is written in the image at lower right.
The plate comes from The Birds of the British Islands by Charles Stonham, published in London by E. Grant Richards in five volumes between 1906 and 1911. This sheet belongs to the third volume, which takes the water birds in systematic order, from the cormorants and herons through the geese and swans to the ducks. The illustrations are after drawings by Lilian M. Medland and are reproduced in photogravure, a photomechanical intaglio process that carries the soft tones of a wash drawing and leaves a plate mark around the image. As throughout the work, no name is printed beneath the bird; each plate carries only its number, a note of the scale of reproduction and the artist's signature. Medland later married the ornithologist Tom Iredale and moved to Australia.
Printed in soft black and gray with wide margins, the plate suits a plain frame with a generous mat, alone or beside other plates from the same volume.
Condition: Light age toning; light handling soiling along the edges and a few small spots in the margins. Printed image clean.
This is an original antique print, not a modern reproduction. This item is sold unframed. Any framed or interior images are shown for presentation and inspiration only, unless the listing explicitly states that the item is sold framed.
