Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Imperial Menagerie: Maupas - The Turkey (Vanity - Stupidity), 1870

Close-ups

Imperial Menagerie: Maupas - The Turkey (Vanity - Stupidity), 1870, close-up 1Imperial Menagerie: Maupas - The Turkey (Vanity - Stupidity), 1870, close-up 2Imperial Menagerie: Maupas - The Turkey (Vanity - Stupidity), 1870, close-up 3Imperial Menagerie: Maupas - The Turkey (Vanity - Stupidity), 1870, close-up 4Imperial Menagerie: Maupas - The Turkey (Vanity - Stupidity), 1870, close-up 5

Framed and on the wall

Imperial Menagerie: Maupas - The Turkey (Vanity - Stupidity), 1870, shown framedImperial Menagerie: Maupas - The Turkey (Vanity - Stupidity), 1870, shown framed on a wallImperial Menagerie: Maupas - The Turkey (Vanity - Stupidity), 1870, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Imperial Menagerie: Maupas - The Turkey (Vanity - Stupidity), 1870

£120 ($155, €140)

Period original, not a reproduction.

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Date
1870
Size
12 × 9.5 in (30.5 × 24.1 cm)
Condition
Good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
Period
Late 19th century
Section
Birds
Reference
f_40627592

The print titled "La Ménagerie Impériale" is a satirical caricature featuring Maupas. It is part of a series composed of 31 hand-colored lithograph plates by the artist Hadol, published in Paris by Au Bureau des Annonces around 1870. The album, "LA MENAGERIE IMPÉRIALE," depicts various figures as animals, metaphorically representing those who have "devoured" France over the past 20 years, including during the Franco-Prussian War (1870-1871).

In this specific print, Maupas is depicted with his head attached to the body of a turkey. The turkey is shown with its feathers puffed out, symbolizing vanity and stupidity. The text at the top reads "MAUPAS" and "N° 24," indicating this is the twenty-fourth in the series. Below the image, the caption "LE DINDON" (The Turkey) is followed by "Vanité - Stupidité" (Vanity - Stupidity), emphasizing Maupas's perceived self-importance and foolishness.

The album as a whole, titled "LA MENAGERIE IMPÉRIALE," is a caricatural representation of the royal family and significant politicians of the time, using animal imagery to critique their roles and actions. The plates were originally issued loose in contemporary boards with a mounted hand-colored lithographed title. The format is small quarto (Sm. 4to), and the edges are slightly worn and browned, typical for works of this age.

This print, along with the rest of the album, serves as a historical and political commentary, utilizing humor and satire to criticize the leadership during a turbulent period in France’s history.