Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Exquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885
Exquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885, view 2
Exquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885, view 3
Exquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885, view 4
Exquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885, view 5
Exquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885, view 6
Exquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885, view 7

Close-ups

Exquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885, close-up 1Exquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885, close-up 2

Framed and on the wall

Exquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885, shown framedExquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885, shown framed on a wallExquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Exquisite Botanicals: Clianthus, Grevillea, Anthurium, and More, circa 1885

£280 ($370, €330)

Period original, not a reproduction.

Enquire about this print

Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
1885
Size
9.8 × 6.3 in (25 × 16 cm)
Condition
Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
Period
Late 19th century
Section
Botanical
Reference
f_41443502
Colour
Printed colour
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.

Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.

Description of the Prints with Latin and English Names

Clianthus Dampieri

English Name: Glory Pea or Dampier's Clianthus

Description: This print features striking, bright red flowers resembling lobster claws, which contrast dramatically against dark, bean-like pods and lush green foliage.

Grevillea Thelemannii splendens

English Name: Spider Net Grevillea

Description: Showcases vivid red and orange brush-like flowers, typical of the Grevillea genus, known for their unique, spidery appearance.

Anthurium Scherzerianum

English Name: Flamingo Flower

Description: Depicted with its distinctive bright red spathes and a spiraled spadix, surrounded by dark green, glossy leaves.

Erythrina Constantiana

English Name: Constantine Coral Tree

Description: Features vibrant red coral-like blooms, which are highlighted against the backdrop of large green leaves.

Cytisus Indicus

English Name: Indian Goldenthread

Description: This plant is shown with bright yellow flowers that cascade beautifully, giving it a lush, vibrant look.

Montbretias Varieties

English Name: Montbretias

Description: Displays a variety of this species in multiple colors ranging from fiery red to golden yellow, all arranged on slender, arching stems.

Makers and Publication

Artists: The prints were illustrated by various artists including "Godard," known for detailed botanical drawings.

Chromolithographer: G. Severeyns, a prominent chromolithographer, worked on transferring these illustrations onto stone for printing.

Publication: These illustrations were published in "Revue Horticole," a French horticultural review that frequently featured detailed botanical artworks. This magazine was instrumental in disseminating knowledge about various plant species to a broader audience during the 19th century.

Explanation of Chromolithography

Chromolithography is a method for making multi-color prints. This process originated in the 19th century and involves using multiple lithographic stones, one for each color, and was a revolutionary technique at the time for producing vibrant, detailed images. Each stone is meticulously prepared so that when printed in succession, they create a complete, richly colored image. This method was particularly popular for producing high-quality illustrations of botanicals, where the accuracy of the color could enhance the scientific and aesthetic value of the work. The process was both labor-intensive and required significant skill, making chromolithographs prized for their beauty and precision.

These details about the plants, their illustration process, and the historical context of their publication underline the intersection of art, science, and technology during the height of the Victorian era's interest in natural sciences.

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