Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Bills of Seven Wild Geese Seen from Above after Lilian Medland, c. 1909
Bills of Seven Wild Geese Seen from Above after Lilian Medland, c. 1909, view 2

Close-ups

Bills of Seven Wild Geese Seen from Above after Lilian Medland, c. 1909, close-up 1

Framed and on the wall

Bills of Seven Wild Geese Seen from Above after Lilian Medland, c. 1909, shown framedBills of Seven Wild Geese Seen from Above after Lilian Medland, c. 1909, shown framed on a wallBills of Seven Wild Geese Seen from Above after Lilian Medland, c. 1909, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Bills of Seven Wild Geese Seen from Above after Lilian Medland, c. 1909

£245 ($325, €290)

Period original, not a reproduction.

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Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
circa 1909
Technique
Photogravure
Coloring
Uncolored
Condition
Good. Light wear to the bottom left and bottom right corners. Light age toning; light handling soiling along the edges and a few small spots in the margins. Printed image clean.
Period
20th century
Section
Birds
Reference
BG-14331-3-41
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.

Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.

This is an original antique natural history print, a photogravure printed in black and gray, uncolored. It is a comparative plate of seven goose bills, each seen from directly above, arranged in three rows and numbered Fig I to Fig VII. Each figure shows the upper mandible with the nostrils, the nail at the tip and the feathering of the forehead at its base. The nails differ clearly, pale on Figs I and III and dark on the others, and on Figs III and VII the feathers at the base of the bill are drawn white, so the plate sets out the details by which the wild geese are separated.

The sheet is lettered "PLATE CLXV." in italic capitals at the foot of the center column, and each bill carries its own figure number, from "Fig I." to "Fig VII.", in small type below it. This plate has no scale note and no visible signature of the artist.

The plate comes from The Birds of the British Islands by Charles Stonham, published in London by E. Grant Richards in five volumes between 1906 and 1911. This sheet belongs to the third volume, which takes the water birds in systematic order, from the cormorants and herons through the geese and swans to the ducks. The illustrations are after drawings by Lilian M. Medland and are reproduced in photogravure, a photomechanical intaglio process that carries the soft tones of a wash drawing and leaves a plate mark around the image. As throughout the work, no name is printed on the plate; this sheet carries only its plate number and the figure numbers. Medland later married the ornithologist Tom Iredale and moved to Australia.

Printed in soft black and gray with wide margins, the plate suits a plain frame with a generous mat, alone or beside other plates from the same volume.

Condition: Light wear to the bottom left and bottom right corners. Light age toning; light handling soiling along the edges and a few small spots in the margins. Printed image clean.

This is an original antique print, not a modern reproduction. This item is sold unframed. Any framed or interior images are shown for presentation and inspiration only, unless the listing explicitly states that the item is sold framed.

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