Antique Natural HistoryOriginal plates from the naturalists' books, 1600s to 1900s
Antique Bird Print of the Eurasian Blackcap by Sepp & Nozeman, 1829

Close-ups

Antique Bird Print of the Eurasian Blackcap by Sepp & Nozeman, 1829, close-up 1Antique Bird Print of the Eurasian Blackcap by Sepp & Nozeman, 1829, close-up 2

Framed and on the wall

Antique Bird Print of the Eurasian Blackcap by Sepp & Nozeman, 1829, shown framedAntique Bird Print of the Eurasian Blackcap by Sepp & Nozeman, 1829, shown framed on a wallAntique Bird Print of the Eurasian Blackcap by Sepp & Nozeman, 1829, shown framed in a room

Frame and rooms are illustrations of how the print could look; the description says what is included.

Antique Bird Print of the Eurasian Blackcap by Sepp & Nozeman, 1829

$705 (£530, €625)

Period original, not a reproduction.

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Shipped from the Netherlands, flat, insured and tracked, worldwide. Returns accepted within 14 days.

Date
1829
Size
20.9 × 14.6 in (53 × 37 cm)
Condition
Very good. General age-related toning. Please study image carefully.
Period
Early 19th century
Artist or book
Nozeman and Sepp
Section
Birds
Reference
f_25703822

Antique print titled 'Sylvia Atricapilla'. This print depicts the Eurasian blackcap (Dutch: zwartkop). The Eurasian blackcap (Sylvia atricapilla) usually known simply as the blackcap, is a common and widespread typical warbler. It has mainly olive-grey upperparts and pale grey underparts, and differences between the five subspecies are small. Both sexes have a neat coloured cap to the head, black in the male and reddish-brown in the female. The male's typical song is a rich musical warbling, often ending in a loud high-pitched crescendo, but a simpler song is given in some isolated areas, such as valleys in the Alps. The blackcap's closest relative is the garden warbler, which looks quite different but has a similar song. This print originates from 'Nederlandsche Vogelen; volgens hunne huisdouding, aert, en eigenschappen beschreeven", Amsterdam, 1770-1829 by C. Nozeman, M. Houttuyn and J.C. Sepp. This is the most important and first study in the Netherlands of ornithology at that time. The birds are depicted as they are in life, said to be depicted close to life sized and in their environment.

Original text page included.

Artists and engravers: This monumental work is associated with Christiaan Andreas Sepp, Jan Christiaan Sepp, Jan Sepp, Cornelis Nozeman, Martinus Houttuyn and Coenraad Jacob Temminck.

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